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Cranach Reformation Altar reproduction installed at International Center

Comments (6)
  1. I just preached where the real altar was yesterday!

  2. Avatar Clint B. says:

    Astonishingly beautiful! Thanks be to God for this wonderful tribute to our Lutheran history and Reformation.

    1. Avatar Timothy Carter says:

      Beautiful.
      Are prints/reproductions available?
      Luther Preaching Christ to the congregation is both humbling and much to the point; we must preach Christ as the center of all.
      Deacon Timothy Carter.

    2. Avatar Timothy Carter says:

      Beautiful.
      Luther preaching Christ to the congregation is both humbling and very modern: we must preach Christ as the center of all.
      Are prints/reproductions available?
      Deacon Timothy carter

  3. I am confused. Is not our church a theologically conservative body? Should not these conservative matters apply to the visual as well as the verbal? I am referencing the copy of the Last Supper painting placed above the altar in the International Center chapel. How inappropriate! What is our emphasis during worship?Focusing on our Lord and His redemptive narrative, or observing a museum work of art. Cranach’s work is beautiful and would be appropriately place in the Center’s museum. However, the artist’s work is not fitting for a contemporary worship space. I am a conservative Lutheran (Missouri Synod) and as such, I believe solid theological advice should have been sought before placing the Cranach museum piece in the chapel.

    Christians attend services of corporate worship chiefly to receive God’ grace and blessing, and secondarily to offer Him gifts and sacrifices. The action in worship, therefore, should begin at the chancel with its furnishing representing and accenting the means of grace. God’s pursuit spreads outward to the congregation. We respond with our gifts of praise. Therefore, it would be more appropriate that only a Cross be placed on or near the altar-table. The altar should have no embellished reredos that makes it a spectacle. It is a table that functions for the service of communion relating God’s gift to His people. It is also a functional table. Anything positioned on the altar-table that does not assist the meal other than a Cross, Bible, and communion guide, is misplaced. The Cross designed and displayed properly aids in perceiving Jesus and His death at Calvary in all its fullness and grandeur. An art piece with portraits of Melanchthon, Luther, Bugenhagen, and others should not overtake an image alluding to Jesus and His glorious redemption.

    A quality appreciated in a church building is simplicity. Decoration tends to draw attention to itself and distracts from worship. Nonessential objects give a confused credo when imprudently placed in the chancel. The building should be pure and genuine – no artificialities, no cosmetic, distracting ornamentation – only a clear, authentic Christian testimony. Only the three means of grace should be accented from the front of the worship space. Although the Cranach copy projects communion, it adds confusion.

    The emphasis must be kept where it belongs. Our only glory is the Cross of Christ. Our swagger is not how much we love God; rather how much He loves us. Paul states: “But may it never be that I should boast, except in the cross of our Lord Jesus Christ . . . ” (Galatians 6:14a). The Christian persuasion is the belief in the Lord Christ who bore the Cross for all mankind. Thus faith finds its worth not in the believer, but in the believed One, the crucified Lord and Savior. Therefore, we do not glory in our grasp of Jesus; rather, we glory in His grasp of us. Hence, the Cross alone as an artistic expression in the chancel is a much more appropriate visual than depictions of the apostles who at Jesus’ final supper did not yet understand His undertaking, plus several sixteenth century saints. Sound theology may have been overlooked in the new addition to the chapel.