Espousing both Eastern mysticism and western atheism, the film ends up being a “kitchen junk drawer of theological, spiritual, religious and occult ideas that are hard to follow or keep straight.”
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In his film about Captain Chesley Sullenberger’s “miracle on the Hudson,” Director Clint Eastwood manages to make an intimate human story out of events most people only experienced through the media.
The new “Ben-Hur” is smaller in scale and scope than its 1959 predecessor, and misses the mark when it comes to a clear presentation of the divinity of Jesus.
What made “Independence Day” special in 1996 makes this sequel just average today, but viewers who liked the first film will likely enjoy this one, too.
In this scare-a-minute sequel to “The Conjuring,” the Gospel message could have been shared easily, but it’s not.
It may take some effort for audiences to peel away all the punches and explosions to find the film’s central story: fatherhood and the importance of who that father is.