“Glass” is well made and well acted, but Christian viewers should be careful not to buy into its thesis that truth is found in self-actualization.
With “Aquaman,” director James Wan avoids the dreary look of previous DC films, providing a bright, vibrant color palette and a deliberately lighthearted and goofy tone reminiscent of 1980s Saturday-morning cartoons.
Both “Creed II” and its precursor, “Creed” (2015), build on the Rocky film franchise by elevating a secondary character’s family while including Rocky Balboa in a supporting role.
“Fantastic Beasts: The Crimes of Grindelwald,” the second Harry Potter prequel in the Fantastic Beasts series, attempts but ultimately fails to conjure the magic of the original Harry Potter series.
“Gosnell” tells a tale of power misused and abuse covered up, of women mistreated and children done unspeakable harm.
The potential for an honest, engaging Christian film about grief and suffering is buried like a seed in the new release from director Harold Cronk but is never given what it needs to germinate and grow.
The all-Asian cast and critical acclaim of the new film “Crazy Rich Asians” may remind viewers of “Crouching Tiger, Hidden Dragon” (2000), but as a romantic comedy about a wedding filmed almost entirely in English, “Crazy Rich Asians” is probably more accessible to a North American audience.
“Ant-Man and the Wasp” delivers audiences an eye-popping film experience while affirming marriage and family without resorting to clichés.
The new Jurassic film is a Grade-A summer blockbuster with its special effects, but its shallow storyline makes it a B-movie “creature feature.”
The latest entry in the Star Wars universe works best if the audience avoids thinking too much and simply enjoys it for what it is: a straightforward, double-crossing heist film that introduces some beloved characters in a safe and appealing way.
Directed by Anthony Russo and Joe Russo, “Avengers: Infinity War” is a gift to MARVEL fans, honoring previous films in the franchise while bringing its own contributions to the saga.
“A Quiet Place” is the rare horror film that invites the audience to become invested in the characters, as opposed to horror films that include characters for the sole purpose of gruesome deaths.
The third installment in the “God’s Not Dead” series is a vast improvement over the first two, but this doesn’t mean it’s a good film, only that it’s a better film.
Reviewer Ted Giese calls it “a remarkable film” with “a strong presentation of forgiveness, grace and mercy.”
For a film about love and bravery, “A Wrinkle in Time” turns out to neither love its source material nor demonstrate courage in its execution.
The new film from director Ryan Coogler picks up the story of Black Panther where 2016’s “Captain America: Civil War” left off.